Did the clean-up grinds on the blade and the edge grinds at multiple grits. Next step, handle and sharpening.
Author: admin
Musings on the dangers of “reply-all”
Last week, the IT department switched our corporate Adobe Creative Cloud logins over to Active Directory (AD) Single Sign On (SSO). This is managed by an AD group, containing close to 4000 employees worldwide. During the switchover, one account seemed to develop a problem. The IT department opened a service ticket and in a move they’re probably regretting now, added the AD group email alias to the ticket. Every action on the ticket sends an email to 4000 people.
One person had the bright idea to reply-all asking to be removed from the email thread.
Then all hell broke loose.
People started replying-all with “me too” emails, asking to be removed from the list. (As a side note, being removed from the AD group will also immediately remove your access to the Adobe cloud, as you would no longer be in the authorized users list, so no one from IT is going to do this)
Then other people started replying-all, telling people to stop spamming the list with reply-all emails.
This would ebb and flow, until someone saw their mailbox full of spam and send an angry email about it (replying-all), which would kickstart the process all over again.
Then someone created a 2nd mail thread (consciously adding the AD group in CC) to complain about all the spam. This now meant that people were replying-all, complaining about 2 different mail threads and asking to be removed from the distribution list. Some people started commenting on the hilarity of all of this, again, generating more spam and adding more fuel to the fire. Others were writing about how to create automated filtering rules in Outlook.
Then things really got meta, when one person spammed the list with all of the emails that had been sent, as attachments. Remember, this is an email with several dozen attachments, going to 4000 people. I was openly weeping at the absurdity of all of this. It was beautiful.
That poor exchange server.
Now I am sad. It seems that saner minds have prevailed, and the emails have stopped. At last count, there were close to 100 emails send in this little saga. Zone AMS has just started working and AOA is going to sleep, so maybe there will be more fun tomorrow morning. We can only hope….
NEW KITTEN ALERT!! (Potentially) ((Probably))
If all goes as we’re thinking it will go, this feisty little lady will come live with us from January. Name still to be resolved (but must be Russian).
Halloween 2023
You’ve heard of elf on a shelf…
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Behold the one-tusked couch walrus
Happy (belated) birthday Byron
Three day escape to Italian wine country
At the start of the year, I bought a QoQa experience, consisting of 3 days, 2 nights in Castiglione Faletto at Il Torre, a really nice hotel, and also including a gourmet 4 course meal and a wine tasting at a local vineyard. Getting there (and back) was a 5h journey each way, with lots of beautiful scenery and… roadworks everywhere. The highway toll system in Italy takes some getting used to, but we managed.
Once we got there, we parked the car and started on the serious business of eating and drinking. The Cantina Communale was nice, but overpriced (seriously!). Dinner that evening was gorgeous, but they killed us with food. After the pasta course, we were already both full, and there were still mains and dessert to come. We struggled through the mains but conceded defeat to pudding. Katy is now officially obsessed with braised veal cheeks in wine. Then… grappa. Oooooh, grappa. It’s a good thing that the restaurant was literally next door to the hotel, otherwise we wouldn’t have made it.
The next day, after breakfast, we walked down into Barolo. We took the goat pass that the hotel had kindly told us to avoid by car, as a shortcut. The scenery was gorgeous. The flies though…. FUEGO!! (didn’t want to keep swearing, so I’d just yell fuego randomly). We stopped at Vite Colte on the way into Barolo and had a tasting of some very nice wines, then carried on towards the old town.
Katy was not impressed with the incline getting into Barolo. Expletives were heard. We were happy to see that the corkscrew museum was open – according to their website, it shouldn’t have been. We then visited the WiMu wine museum, which was really interesting, then had coffee and ice cream before trying to locate the cab we’d pre-booked to get back up the hill to Castiglione for our wine tasting at Monchiero. The wines were nice, but the highlight of that visit was the handmade salame!!
We went back to the hotel, had a nap, and then got ready for dinner at Convino. They again killed us with food, but more gently as we shared the plate of the pasta course. But still so.much.food!!! Katy fell in love with our waitress. She must think we’re completely bonkers.
On Friday morning, we had breakfast, checked out, went to pick up a few cartons of wine from Vite Conte and headed for a quick visit to Marolo – a grappa distillery – for a quick purchase, then Alba before heading home. Sadly, we just missed the opening of the Alba white truffle festival by a day, but it is what it is. We left at 12:30 and made it back to Family Dog in time to pick up a very happy (and very tired) Byron then finally made it back home.
Lausanne Art Fair 2023
We went to the Lausanne Art Fair in Lausanne last weekend. As usual, there’s always a ton of stuff I’d love to be able to put up on our walls, but we lack the wall space (and the funds) to make it happen. Some pieces are really good value for being large originals. Some…less so, but still beautiful to look at. Here are some of the standouts.
Top left to bottom right: Harold Hermann (photographer), Malo (photographer), Stephane Gautier (mixed media), Antoine Josse (painter), Joel Moens de Hase (digital art), Eka Peradze (acrylic), Bernard Saint-Maxens (mixed media), Leo Manelli (digital pop art), Vincent Duchene (sculpture), Rudi Morandini (sculpture), S.Kristol (sculpture,digital art)
[Gallery] Malo
Malo is a French photograph artist, who puts his work at the service of a story… Through his photo series, he questions life, family, society, in a way that moves people, and don’t leave them unconcerned. His work, that he calls himself as participative, questions the audience, whom, from spectator, becomes the actor of an exchange between himself and the artist; even an introspection. If the form and content are intimately linked, graphic and technics choices are made to serve the story that he tells us, as a translation of the questions that he brings and asks us.